From A24 come three singular films that announce a new generation of horror auteurs. In Ari Aster's Hereditary, when the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, trying to outrun the sinister fate they have inherited. Trey Edward Shults' It Comes at Night explores the aftermath of a mysterious apocalypse that leaves the world with few survivors, where two families are forced to share a home in an uneasy alliance to keep the outside evil at bay. Panic and despair envelop a farmer and his family in Robert Eggers' The Witch, set in 1630 New England, when their youngest son suddenly vanishes. The family blames Thomasin, the eldest daughter—with suspicion and paranoia mounting, her siblings accuse Thomasin of witchcraft, testing the clan's faith, loyalty, and love to one another.