Joker: Folie a Deux Bonus Material

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This bonus video contains the following featurettes: Live! With Joker - Director Todd Phillips envisioned an animated opening for Joker: Folie à Deux and reached out to animator Sylvain Chomet. Chomet and his team collaborated with Phillips to create a unique sequence inspired by the classic Warner Bros. cartoons. Crafted with Class - Mark Friedberg designed detailed sets for Joker: Folie à Deux, a departure from the location-heavy first film. These immersive sets, including Arkham, and the Gotham courtroom, allowed actors to feel fully engaged every step of the way. The Character of Music - Music in Joker: Folie à Deux expresses what words can't. Hildur Guðnadóttir’s Oscar-winning score evolves, this time becoming a larger character. Live singing by Phoenix and Gaga, and custom instruments, create a unique soundscape. Colors of Madness - The color of Joker: Folie à Deux comes alive when Arthur meets Lee. Explore the cinematography with Oscar-nominated DP Lawrence Sher as he and Phillips build on the first film's look, introducing new color and light for fantasy sequences. Everything Must Go: Can I Have a Cigarette? (Part 1) - Arthur remains silent for the first 10 minutes of the film, until he says, "Can I have a cigarette?”. Explore the first three weeks at Arkham Asylum with insights from actors and filmmakers on the environment crafted for the film's opening. Everything Must Go: Finding Lee (Part 2) - Harley Quinn is beloved, but this version of ‘Lee’ is unique, crafted specifically for Gaga. Discover how Gaga and Phoenix developed their characters, with Gaga adjusting her singing to embody Lee and bring fantasy sequences to life. Everything Must Go: A Hundred Films in One (Part 3) - Joaquin and Todd share a unique relationship, never repeating the same take twice. Todd gives Joaquin space to explore his character, bringing unpredictable energy to every scene. Witness the full spectrum of Joaquin’s performance. Everything Must Go: King of Nothing (Part 4) - In the documentary's conclusion, we'll follow production for the film’s final scenes. Explore the heartbreaking end of Arthur's story, where Joker reigns as the king of the disenfranchised, but as Arthur, he’s the king of nothing.